Release Year: 2004

Genre: Biography, Drama, History

Director: Clint Eastwood

Writer: Paul Haggis

Stars: Hilary Swank, Morgan Freeman, Clint Eastwood

Million Dollar Baby punches you in the gut.

Hard.

It tells the story of Frankie Dunn, a poetry reading, old-school boxing manager, and Maggie Fitzgerald, a scrappy hillbilly fighter from The Middle of Nowhere, MO. He's more grizzly than a bear that's fresh out of fish, and she has a work ethic that makes James Brown look lazy. Million Dollar Baby is the dark, deep, and downright subversive story of the bond between two generations of fighters. Just when you think you know where it's going—BOOM!—it hits you with an emotional uppercut and dares you to get back up off the movie mat.

Remember way back in 2004? You know, the glory days of Myspace, Green Day, and Lindsay Lohan? The heartbreaking final days of Friends? The Google IPO? Well, that was also the year that Million Dollar Baby hit the big screen, just in time for Christmas. Directed by star Clint Eastwood for a modest 30 million bucks, Baby was a big, fat jab—er, hit. The boxing drama stayed in multiplexes for over six months, grossing more than $216 million worldwide.

But moviegoers weren't the only ones knocked out by Eastwood's subtle sports flick. Million Dollar Baby was nominated for seven Academy Awards and won four: Best Picture, Best Director for Eastwood, Best Actress for Hilary Swank, and Best Supporting Actor for Morgan Freeman. It also snagged three of the five Golden Globes for which it was nominated, went two for three in Screen Actors Guild Awards, and was named Movie of the Year by the American Film Institute (source). Not a bad haul for a movie whose source material (F.X. Toole's short story collection, Rope Burns: Stories from the Corner), took forty years to get published.

And while we're being gushy, let's take a look at some notes from the real critics:

• "Clint Eastwood's Million Dollar Baby is a masterpiece, pure, and simple, deep and true. It's a throwback to another age, a work of classical filmmaking that manages to treat the blood and guts of boxing with tenderness and nuance, all while raising difficult questions about love, loyalty, and faith." – Roger Ebert.

• "In his clean, unhurried, unblinking fashion, Eastwood takes the audience to raw, profoundly moving places If you fear strong emotions, this is not for you. But if you want to see Hollywood filmmaking at its most potent, Eastwood has delivered the real deal." – David Ansen

• "Million Dollar Baby inspired us to take up boxing." – Shmoop. (Yes, we're real critics.)

So, break out the gloves—and maybe a pack of tissues—and hop into the cinematic ring with Million Dollar Baby. After 132 minutes, and it will leave you utterly spent.

Everybody has that one friend who, when the topic of conversation turns to movies and TV, cries out, "Stop! Don't! I haven't seen it yet!" You know the one. They've never seen The Sixth Sense. They're always three episodes behind on True Detective. They think the people on Lost were actually alive.

Back in 2004? Not so much.

When Million Dollar Baby hit theaters, some critics spoiled it immediately and without warning. Predictably, this ignited a firestorm of controversy. Some critics, like Michael Medved, spoiled the movie simply because they disagreed with Maggie's decision. Others claimed they did so because of the film's controversial subject matter or because they wanted to protect viewers from the movie's shocking plot twist. They were angry that the movie they thought was going to be "Rocky in a sports bra" was something more complicated.

Here's the thing: any way you slice it, what spoilsport critics were actually shielding moviegoers from was just a plain ol' unhappy ending. Sports movies (by and large) don't typically have unhappy endings. Buzzer beaters, magically healed knees, and coaches doused with Gatorade? That's the norm.

Million Dollar Baby won't have any of it.

The movie "challenges America's…triumphalist daydream," argues Frank Rich. "It does so not because it has any politics or takes a stand on assisted suicide but because it has the temerity to suggest that fights can have consequences, that some crises do not have black-and-white solutions and that even the pure of heart are not guaranteed a Hollywood ending" (source).

In other words, Million Dollar Baby keeps it real.

Of course, some critics, by spoiling the movie, argued that it keeps it a little too real. Other critics, like Roger Ebert, argued that it's totally okay for movies to challenge convention—as well as our personal views. They claimed that those spoilsport critics don't understand the point of art: "It doesn't exist solely to reinforce our faith," claims Patrick Goldstein of The Los Angeles Times. "The most powerful art, from Sophocles to Shakespeare to Scorsese, seethes with provocation; it stirs our passion; pricks our conscience and tests our most firmly held beliefs" (source).

Million Dollar Baby does all of these things. It challenges you to keep your head up until the final bell—and stays with you long after the ring's been torn down.

P.S. We'd be remiss not to mention the whole assisted suicide controversy as a reason to care. On the long list of things people-tend-to-disagree-about, assisted suicide is up there. Start here, and then continue to flex those Google muscles to continue reading about both sides of the debate.